To express the vanity of a medium towards world reality, signifies that the artist must understand boundaries and registers of the painting as an independant field with its distances from the real facts. Paintings become then autonomus, it can be considered as an echo of the real. The plasticity testifies also to a grammar which is own and the external referents are to be considered for its semiologic recognition. This body of work realize the painting impossibility to be another thing than paintings in his field of production and visibility. This limit of the practice is the discourse suggested underneath the representations.